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John Pallotta is a firm believer that there is no such thing as Acting there is only Life. John's technique is based on the belief that Acting is A STATE OF MIND. It is about innocence, imagination, vulnerability, instincts and honesty. It is about practicing the potential qualities that you were born with. The less you think like an actor, the more childlike and innocent you are, the more productive and in the moment you will be.
Inspired by his gift for providing deep insight with quiet, well-chosen words, John Pallotta is quickly becoming one of the top acting coaches in New York City, Washington DC, Chicago. Some have taken to calling him the Actor Whisperer, but thanks to amazing reviews from Academy Award and Emmy Award Winners, his secret is out.
John knows that good acting requires that you study in order to master the craft. John's method teaches actors how to achieve and respond to honest emotions both on and off-camera by utilizing the principles mentioned above: innocence, imagination, vulnerability, instincts and honesty. Using these principles encourages actors to experience rather than indicate an emotion. You will learn to not just see a character, but to become them. We work on this on a conscious level in the classroom so John's students can use it on a subconscious level on a set or stage. John doesn't waste time dictating about whose method is best; he encourages his students to mix and play with different methods to discover what works for them.
John's method is aimed exclusively at unleashing the actor’s emotional power. John's focus as a teacher of the craft is to help each and every one of his students find their own voice as an actor. Acting is a process. It is a journey of discovery. It is a living breathing process that happens each and every day and does not happen overnight. Becoming an actor is learning a new way of thinking and about the way you look at life. Just as you make choices in life that determine your success or your failure. It goes the same for your choices you make as an actor.
Join us today in NYC or DC. JohnPallotta.com or DCActing.com
Transformational Audition Technique On Camera for Film and TV
On Camera Commercial One on One Casting Director Events in NYC
Branding with Top Talent Managers in NYC
Free Networking Events with Actors and Industry
877 – 228 3115 for details
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ACTING IS A STATE OF MIND
“It is about Innocence, Imagination and
Vulnerability.
It is about practicing the potential qualities
that you
were born with.
The less you think like an actor and the
more childlike
and innocent you are the more
productive” and in the
moment “you will be”
John Pallotta
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Finding Your Voice as an Actor
By John Pallotta | BACKSTAGE 2012
I remember William Hickey quoting Rosalind Russell back in 1980: "Acting is standing up naked and turning around very slowly." He also said, "Actors must be like children playing in the field that have forgotten all the rules."
I am a firm believer that there is no such thing as "acting"; there is only "life." I was taught a long time ago, as a young actor in the late 1970s, that when you bring your love of the craft to class, you change the way other actors and teachers look at you. By applying that same love to the stage or set, you change the way the actors, industry, and audience look at you, and it allows you to fulfill your desire to be great.
Being an actor is much more than expensive head shots, more than just smiling for the camera or the way you walk into a room. It's about being a part of something greater than just yourself; it is your heart as an actor, the colors of your soul, the way you wake every morning and question the universe, your very being as an actor and a person, and this thing we all do and want to be successful at.
My aim as a teacher of the craft is to help all of my students find their own voice as an actor. Acting is a living, breathing process that happens every day and does not happen overnight. Becoming an actor is learning a new way of thinking and of looking at life. Just as you make choices in life that determine your success or your failure, the same goes for the choices you make as an actor.
Good acting requires that you study to master the craft. My method teaches actors how to achieve and respond to honest emotions both on- and off-camera by using certain principles: innocence, imagination, vulnerability, and instincts. Using these principles encourages actors to experience rather than indicate an emotion. We work on this on a conscious level in the classroom, so my students can use it on a subconscious level on a set or stage. I don't waste time dictating about whose method is best; I encourage my students to mix and match different methods and find what works for them. I also teach them to turn it into performance.
John Pallotta at John Pallotta Studio is making a name for himself as an acting coach in New York City, boasting Academy and Emmy award winners as his students. An award-winning playwright, actor, and coach, Pallotta also has studios in Washington, D.C., and Chicago. Visit www.dcacting.com or www.johnpallotta.com.
Folks that John has either Coached, Directed or Trained
as a Playwright, Actor and Coach
Now or Early in their career.
Mia Michaels - 5 Time Emmy Winner
Reese Witherspoon - Academy Award Winner (Early in her career / Modeling Convention)
Josh Charles - The Good Wife - Emmy Nominee
James Brown 3 Time Emmy Winner
Jenn Jiles - Emmy Award Winning Actress
Donna Pallotta Oscar Nominated Art Direction
Chris Lambert - On Set (2013) – Dark Star Hollow
Billy Zane - On Set (2013) – Dark Star Hollow
John Leguiamzamo (2013) - Tucht
Johnny Alonso - Iron Man III, Dawsons Creek
Sue Dixon - 2 Time Emmy Winner
Kate Pierson - Grammy Winner B52's
Talitha Cumi – Grammy Nomineee, Back up to Diana Ross
Joey Lawrence - (Before Blossom)
Kerr Smith - Charmed - Dawson's Creek
Yvette Ganier - Broadway - Obie Award Winner
Joseph Donofrio - Goodfellas, Bronx Tale Jungle Fever
Patrice Covington - Grammy Winner - Broadway - Dream Girls
Darrel Kieth Harris - Do The Right Thing
Bianca Sloof (aka Bubbles - VH1)
Creep Dogg - Musical Artist
Asa (Angela) Arnold - TV Sitcom Are We There Yet
Amanda Gordon - Comedy Central
Nina Avetisova - Boston Legal, Law and Order, Charmed
Penwah - Tyler Perry Movies, Family Matters
Dom Mancino - Co star Life on Mars
Anna Chlumsky - My Girl, Law and Order, 30 Rock
Dan Griffin - Shadow of The Badge
Matt Sternberg - 30 Rock
Stephanie Klemons - RENT & In The Heights
Erika Woods - The Verizon Girl, Law and Order, Gossip Girl
Lee Murphy - 20 Commercials
Bob Lil' Bob McCall - Principle Role, Are We There Yet
Meagan Robar - My Big Gay Italian Wedding - Playwriting
Rick Borgia - I Married a Mobster
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Classes offered by John Pallotta
New York City Washington DC Chicago
International (VIA SKYPE and Webinars)
John Pallotta Studio, established in 2005, operates as both a private acting studio as well as currently developing an F1 & M1 Visa program in conjunction with programs in New York City and Washington DC.
John Pallotta Studio fosters new generations of Acting artists by creating a student ensemble that allows emerging actors to hone their craft in a safe yet challenging environment. This year the school/classes/workshops reached an enrollment of 160 students (NYC, DC, CHI as well as private, online clients including international) representing a large cross-section of social, economic and ethnic backgrounds. Since John started with one student in 2005 he has spread out to 5 states and has received wonderful, kind words from such distinguished names as: Meryl Streep, Kevin Kline, Kathy Bates, Danny Aiello, Mia Michaels, James Brown, Joseph DoNofrio, Johnny Alonso, Sue Dixon, NBC News, Good Day New York, Hollywood Reporter, Hollywood/Vine and Backstage Magazine
Current classes include: On-Camera Commercial, On-Camera Film & TV, Industry Prep Classes, Monologue Study, and Audition Technique. Please visit the CLASSES page of the website to learn more about what is currently available.
We look forward to meeting you and inviting you into the John Pallotta Studio community of actors.
Call 877 228 3115 or 646 619 7777
Visit us online in NYC and Chicago www.johnpallotta.com or DC www.dcacting.com
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About the Workstudy Program - Through the John Pallotta Studio Workstudy Program, actors can earn FREE CLASSES with John Pallotta and other guest teachers each month. You will be working with a team of actors and learning what it takes to run a successful acting studio while gaining other useful tools for the industry.
This workstudy is available for both NYC and Washington DC students.
Responsibilities:
- Support and expand public relations with students, media contacts, artists and the general public
- Handle the 1 800 number data base via the email data log and follow up
- Assist the location directors in setting up intensives and collecting data (Emails, Numbers, Etc...)
- Assist in managing intensives, classes, workshops and lectures
- Assist during events and receptions
- Website optimization, blog and social media how to.
- Marketing Research Savvy.
-Keep up strong presence on FaceBook, Twitter, Blogs, Benchmark Emails, Yelp, Google Space - (FaceBook Events, Javascript Codes)
Requirements:
- Knowledge in Acting, Marketing/Hospitality, Business/Accounting and Communications
- Have a strong understanding of social media
- Have a strong following through social media
- Possess excellent written and verbal communication
- Possess multitasking and coordination experience
- Passion for art
- Demonstrate attention to details while maintaining perspective
- Have good computer skills
To apply:
Email cover letter and resume (Not Acting Resume) PallottaStudio@yahoo.com
<!--EndFragment-->By John Pallotta
Acting Coach
New York Washington DC Chicago
www.johnpallotta.com
Almost every acting class in the world trains actors to "play an objective",
in other words, to choose an action based on the information you get from
reading the script, or, why the character is doing what he is doing. Believe
me, that's the easy part of dealing with actions. The piece of the puzzle
that few actors learn to deal with is the deeper, personal layer of "why"
they are playing those actions.
Please consider this acting fact. Without a personal need to accomplish the
"action", you have not yet earned your right to stand on that stage and
speak the words of the script. I am talking about having the true need to do
the things you are doing in the play. The "true need". Not the pretended
need or the indicated need, but the authentic need. Having the true need to
do what you are doing, is the seed of all life on stage.
Isn't this true in life? Yes, in life, your actions are purposeful, you have
the true need to do the things you do in each moment or you would not bother
doing them. It is the same on the stage - we call this "purpose", your
acting must be truly purposeful.
Remember, theatre is not an imitation of our lives, it demands a greater
truth. "True purpose" is an essential part of that greater truth."
God Bless.
John Pallotta Acting-Coach
www.nycactingclasses.com
www.dcacting.com
www.johnpallotta.com